THE MUSIC OF POETRY

The venues we visited were very accommodating to us recording during business hours, and our setup was unobtrusive. We left the cameras and audio recorder running while playing the machines.

We had a four-hour reserved block of time in Studio A to block for camera, cue-to-cue, build sets, light, mic, and rehearse before going live on air.

Although I was enjoying doing all the voices and narration of the first several scripts, I knew that I wanted to get others involved. Stepping back to narration made the sessions easier to direct the actors.